Arts, Sciences, and Engineering Film and Media Studies
CRN Course Course Title Term Credits Status
26620 FMS 249 FILM HISTORY: 1959-1989 Fall 2017 4.0 Open
Schedule:
Day Begin End Building Room
Enrollment: Section Enroll     
19
Section Cap     
No Cap
Total Enroll     
30
Total Cap     
No Cap
Cross Listed: AH 254 (P), AH 454, ENG 257, ENG 457, FMS 249
Instructors: WILLIS S
Description: This course will explore developments in world cinema—industrial, social, and political—from 1959 to 1989. It will explore film aesthetics, technologies, and circulation questions, considering questions like the following: What’s new about the French New Wave? What do we mean by Third Cinema? How do different national cinemas influence each other? In what ways have various national cinemas responded critically to Hollywood’s commercial dominance and to its conventions? How do popular and “art” cinemas speak to each other. How does cinema respond to the pressures and provocations of other media at the inception of the digital age? Weekly screenings and film journals required.
Clusters: H1FMS001
URL: FMS 132 - Intro to Art of Film

CRN Course Course Title Term Credits Status
76948 FMS 249 FILM HISTORY: 1959-1989 Fall 2014 4.0 Open
Schedule:
Day Begin End Building Room
Enrollment: Section Enroll     
24
Section Cap     
No Cap
Total Enroll     
34
Total Cap     
40
Class Info: SCREENING TIME: TUESDAYS 1940-2200
Cross Listed: AH 254 (P), AH 454, ENG 257, ENG 457, FMS 249
Instructors: WILLIS S
Final Exam Schedule: MOREY 504 on 1217 at 1600
Description: This course will explore developments in world cinema—industrial, social, and political—from 1959 to 1989. It will explore film aesthetics, technologies, and circulation questions, considering questions like the following: What’s new about the French New Wave? What do we mean by Third Cinema? How do different national cinemas influence each other? In what ways have various national cinemas responded critically to Hollywood’s commercial dominance and to its conventions? How do popular and “art” cinemas speak to each other. How does cinema respond to the pressures and provocations of other media at the inception of the digital age? Weekly screenings and film journals required.
URL: FMS 132 - Intro to Art of Film

CRN Course Course Title Term Credits Status
71364 FMS 249 FILM HISTORY:1959-PRESENT Fall 2011 4.0 Open
Schedule:
Day Begin End Building Room
Enrollment: Section Enroll     
14
Section Cap     
No Cap
Total Enroll     
23
Total Cap     
25
Cross Listed: AH 254 (P), AH 454, ENG 257, ENG 457, FMS 249
Instructors: WILLIS S
Description: This course will explore developments in world cinema—industrial, technological, social, and political—from 1959 to the present. It will consider aesthetic and technical issues, including questions like the following. What brought about the collapse of the Hollywood studio system? What’s new about the French New Wave? What do we mean by “Third Cinema”? How do different national cinemas influence each other? Weekly screenings and film journals required.