Arts, Sciences, and Engineering Film and Media Studies
Course Section Listing Course Course Title Term Credits Status
COURSE_SECTION-3-164418 FMST 239-1 Postwar Italian Directors: Fellini, Antonioni, Cavani Spring 2024 4.0 Open
Schedule:
Day Begin End Location Start Date End Date
MW 200 PM 315 PM Hylan Building Room 105 01/17/2024 05/11/2024
Enrollment: Enrolled     
15
Capacity     
16
Co-Located: CLTR 212-1 (P), ENGL 262-1, ENGL 462-1, FMST 239-1, ITAL 243-1
Instructors: Andrew Korn
Delivery Mode: In-Person
Description: This course explores three of Italy’s mostprominent postwar directors, Federico Fellini, Michelangelo Antonioni and Liliana Cavani, who developed distinct cinemas and contributed radical representations to key cultural debates. 
Students will examine each filmmaker’s specific formal and thematic innovations, such as Fellini’s 
carnivalesque and dreamlike states, Antonioni’s use of space and color, and Cavani’s marginal 
figures and use of flashback. Students will also compare how their works address three of postwar 
Italy’s and the West’s most critical questions: modernization, the 1968 student protests and the 
legacy of Fascism. Films include: Fellini’s La Dolce Vita and Amarcord; Antonioni’s Red Desert and 
Zabriskie Point; Cavani’s The Cannibals and The Night Porter. Assignments include: historical, 
biographical and critical readings, film screenings, short papers and a final essay. Readings will 
be in English and films will be shown with English subtitles
Offered: Fall Spring

Course Section Listing Course Course Title Term Credits Status
COURSE_SECTION-3-147383 FMST 239-1 Postwar Italian Directors: Fellini, Antonioni, Cavani Spring 2023 4.0 Closed
Schedule:
Day Begin End Location Start Date End Date
MW 200 PM 315 PM Hylan Building Room 105 01/11/2023 05/06/2023
Enrollment: Enrolled     
16
Capacity     
16
Co-Located: CLTR 212-1 (P), ENGL 262-1, ENGL 462-1, FMST 239-1, ITAL 243-1
Instructors: Andrew Korn
Delivery Mode: In-Person
Description: This course explores three of Italy’s mostprominent postwar directors, Federico Fellini, Michelangelo Antonioni and Liliana Cavani, who developed distinct cinemas and contributed radical representations to key cultural debates. 
Students will examine each filmmaker’s specific formal and thematic innovations, such as Fellini’s 
carnivalesque and dreamlike states, Antonioni’s use of space and color, and Cavani’s marginal 
figures and use of flashback. Students will also compare how their works address three of postwar 
Italy’s and the West’s most critical questions: modernization, the 1968 student protests and the 
legacy of Fascism. Films include: Fellini’s La Dolce Vita and Amarcord; Antonioni’s Red Desert and 
Zabriskie Point; Cavani’s The Cannibals and The Night Porter. Assignments include: historical, 
biographical and critical readings, film screenings, short papers and a final essay. Readings will 
be in English and films will be shown with English subtitles
Offered: Fall Spring