Arts, Sciences, and Engineering |
Film and Media Studies |
Course Section Listing |
Course |
Course Title |
Term |
Credits |
Status |
COURSE_SECTION-3-164418 |
FMST 239-1 |
Postwar Italian Directors: Fellini, Antonioni, Cavani |
Spring 2024 |
4.0 |
Open |
Schedule: |
Day |
Begin |
End |
Location |
Start Date |
End Date |
MW
|
200 PM
|
315 PM
|
Hylan Building Room 105
|
01/17/2024
|
05/11/2024
|
|
Enrollment: |
Enrolled
15
|
Capacity
16
|
|
|
Co-Located: |
CLTR 212-1 (P), ENGL 262-1, ENGL 462-1, FMST 239-1, ITAL 243-1 |
Instructors: |
Andrew Korn |
Delivery Mode: |
In-Person |
Description: |
This course explores three of Italy’s mostprominent postwar directors, Federico Fellini, Michelangelo Antonioni and Liliana Cavani, who developed distinct cinemas and contributed radical representations to key cultural debates. Students will examine each filmmaker’s specific formal and thematic innovations, such as Fellini’s carnivalesque and dreamlike states, Antonioni’s use of space and color, and Cavani’s marginal figures and use of flashback. Students will also compare how their works address three of postwar Italy’s and the West’s most critical questions: modernization, the 1968 student protests and the legacy of Fascism. Films include: Fellini’s La Dolce Vita and Amarcord; Antonioni’s Red Desert and Zabriskie Point; Cavani’s The Cannibals and The Night Porter. Assignments include: historical, biographical and critical readings, film screenings, short papers and a final essay. Readings will be in English and films will be shown with English subtitles |
Offered: |
Fall Spring |
|
|
Course Section Listing |
Course |
Course Title |
Term |
Credits |
Status |
COURSE_SECTION-3-147383 |
FMST 239-1 |
Postwar Italian Directors: Fellini, Antonioni, Cavani |
Spring 2023 |
4.0 |
Closed |
Schedule: |
Day |
Begin |
End |
Location |
Start Date |
End Date |
MW
|
200 PM
|
315 PM
|
Hylan Building Room 105
|
01/11/2023
|
05/06/2023
|
|
Enrollment: |
Enrolled
16
|
Capacity
16
|
|
|
Co-Located: |
CLTR 212-1 (P), ENGL 262-1, ENGL 462-1, FMST 239-1, ITAL 243-1 |
Instructors: |
Andrew Korn |
Delivery Mode: |
In-Person |
Description: |
This course explores three of Italy’s mostprominent postwar directors, Federico Fellini, Michelangelo Antonioni and Liliana Cavani, who developed distinct cinemas and contributed radical representations to key cultural debates. Students will examine each filmmaker’s specific formal and thematic innovations, such as Fellini’s carnivalesque and dreamlike states, Antonioni’s use of space and color, and Cavani’s marginal figures and use of flashback. Students will also compare how their works address three of postwar Italy’s and the West’s most critical questions: modernization, the 1968 student protests and the legacy of Fascism. Films include: Fellini’s La Dolce Vita and Amarcord; Antonioni’s Red Desert and Zabriskie Point; Cavani’s The Cannibals and The Night Porter. Assignments include: historical, biographical and critical readings, film screenings, short papers and a final essay. Readings will be in English and films will be shown with English subtitles |
Offered: |
Fall Spring |